The musical dialogue : thoughts on Monteverdi, Bach, and Mozart / Nikolaus Harnoncourt ; translated by Mary O'Neill ; Reinhard G. Pauly, general editor.
Material type: TextLanguage: engger Publication details: Portland, Or. : Amadeus Press, c1989.Description: 220 p. : ill. ; 24 cmISBN:- 093134008X
- Musikalische Dialog. English
- ML60 .H33713 1989
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Books (30-Day Checkout) | Nash Library Music Pocket Library Books & Scores | ML60.H33713 1989 | 1 | Available | 33710000735485 |
Translation of: Der musikalische Dialog.
Discography: p. 215-220.
WAR, NEWBERY,
The tonal image of medieval music -- Musical instruments in church and elsewhere -- The great innovation around 1600 -- Tonal aesthetics : is ugly beautiful -- Monteverdi today -- Work and arrangement : the role of instruments -- Work and performance -- Bach and the musicians of his age -- Performance traditions -- The concerto -- The Gamba sonatas : idiomatic sound or Ad Libitum -- The cantatas : at the center of Bach's work -- The wind instruments in Bach's cantatas -- Bach's "Oboe da Caccia" and its reconstruction -- Bach's use of "Parody" -- The first performance of the St. Matthew Passion by the Concentus Musicus -- The St. Matthew Passion : history and tradition -- Mozart was not an innovator -- Mozart : size of orchestras -- Mozart's use of "Allegro" and "Andante" -- From minuet to scherzo -- Mozart : written and unwritten instructions for interpretation. Claudio Monteverdi: discussion of his works. L'Orfeo : text and music ; tempos ; instrumentation and arrangement in L'Orfeo ; Il Ritorno d'Ulisse in Patria ; L'Incoronazione di Poppea ; The Marian Vespers (Vespro della Beata Vergine) -- Johann Sebestian Bach: discussion of works. The Brandenburg concertos ; The St. John Passion ; The St. Matthew Passion ; The history of interpreting Bach's Mass B Minor -- Wolfgang Amadeus Mozart: discussion of his works. Mozart's dramatic technique as reflected in his Idomeneo correspondence ; Mozart's Requiem : his only work with an autobiographical element : thoughts and impressions.