Makers : a history of American studio craft / Janet Koplos and Bruce Metcalf.
Material type: TextPublication details: Chapel Hill : University of North Carolina Press, c2010.Description: xi, 529 p. : ill. (chiefly col.) ; 29 cmISBN:- 9780807834138 (cloth : alk. paper)
- 0807834130 (cloth : alk. paper)
- History of American studio craft
- NK807 .K67 2010
Item type | Current library | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|
Books (30-Day Checkout) | Nash Library General Stacks | NK807.K67 2010 | Available | 33710001206510 |
"A project of the Center for Craft, Creativity and Design, Hendersonville, N.C.."
Includes bibliographical references and index.
The roots of studio craft : The Industrial Revolution ; Craft and work ; The origin of Arts and Crafts ; The Aesthetic Movement ; English Arts and Crafts ; World's fairs ; The Cincinnati wood-carving movement ; Art in textiles ; China painting and art pottery ; Louise McLaughlin, studio potter ; Stained glass and art glass -- 1900-1909: Handwork and industrialization : Setting the scene ; Reform and the crafts ; Elbert Hubbard and the Roycrofters ; Gustav Stickley ; Wood: reform and commerce together ; Pottery for all purposes ; Studio potters ; Jewelry: beginnings ; Metalsmithing ; Textiles: revivals, inventions, and borrowings ; Objectifying glass ; Arts and Crafts societies ; Arts and Crafts communities ; Craft education -- 1910-1919: Upheavals : Setbacks ; Revivals ; The Armory Show ; Ceramics interrupted ; Wood: the end of the Craftsman style ; Jewelry and metals: regional differences ; Textiles ; Craft institutions ; Occupational therapy -- 1920-1929: Boom time in a consumerist society : New styles and habits ; Craft institutions ; Southwest Indian arts ; Wood: reactionaries and progressives ; Jewelry and metals: traditionalists and modernists ; Textiles in transition ; Ceramics: tiles and figurines ; Crafts in the Southern Highlands -- 1930-1939: Industrial design versus handcraft : Changes in life and craft ; Craft institutions ; Education ; MOMA and craft ; Ceramics in school ; Modern textiles ; Wood: the modern movement ; Metals: silver tarnishes ; Glass goes several ways -- 1940-1949: New opportunities : Losing and gaining ; Education ; Craft institutions ; Jewelry and enameling: artists rewrite the script ; Wood: the era of the designer-craftsman ; Ceramics flourishes ; Glass ; Textile arguments --
1950-1959: The second revival of crafts : Paradigm shifts ; Craft embraces academia ; MOMA and good design ; Ceramics: import-export ; Textiles: ready for change ; Jewelry, metals, and enameling: toward an American voice ; Wood: influences and inventions ; A little glass -- 1960-1969: Youth culture, counterculture, multiculture : Ringing changes ; Textiles go large ; Jewelry and metals: looking elsewhere ; A new world of glass ; Wood: furniture as design, expression, and concept ; Ceramics: sorting out options ; Craft institutions -- 1970-1979: Organizations and professionals : An explosion of crafts ; Ceramics down and up ; Jewelry, metals, and enameling: pluralism takes over ; Textiles in depth ; Glass goes mainstream ; Wood: actions and reactions ; Craft institutions -- 1980-1989: Money and images : Business and Baroque ; Wood: classicism and postmodern play ; Clay variations ; Glass ; Textiles and the new basketry ; Jewelry, metals, and enameling: declarations of independence ; Craft institutions -- 1990-1999: Mastery as meaning : Got it made ; Craft institutions ; Glass ascendant ; Jewelry, metals, and enameling: a spectrum of possibilities ; Textiles to fiber ; Wood: all options open ; Ceramics: individuals and themes.