Style and idea : selected writings of Arnold Schoenberg / edited by Leonard Stein ; with translations by Leo Black.

By: Contributor(s): Material type: TextTextPublication details: New York : St. Martins Press, 1975.Description: 559 p. : music ; 26 cmSubject(s): DDC classification:
  • 780/.8
LOC classification:
  • ML60 .S374 1975
Contents:
On my fiftieth birthday (1924) -- Circular to my friends on my sixtieth birthday (1934) -- Honorary citizenship of Vienna (1949) -- How one becomes lonely (1937) -- Hear and brain in music (1946) -- A self-analysis (1948) -- My evolution (1949) -- The young and i (1923) -- My blind alley (1923) -- My public (1930) -- New music : my music (1930) -- Constructed music (1931) -- On revient toujours (1948) -- My technique and style (1950) -- New music, outmoded music, style and idea (1946) -- Criteria for the evaluation of music (1946) -- New music (1923) -- Turn of time (1948) -- The relationship to the text (1912) -- This is my fault (1949) -- The radio : reply to a questionnaire (1930) -- 'Space-sound', vibrato, radio, etc. (1931) -- Modern music on the radio (1933) -- Art and the moving picture (1940) -- Folkloristic symphonies (1947) -- Folk-music and art-music (1926) -- National music (1931) - Italian national music (1927) -- Why no great American music ? (1934) -- A legal question (1909) -- An artistic impression (1909) -- About music criticism (1909) -- Sleepwalker (1912) -- The music critic (1912) -- Musical historians (1915) -- Those who complain about the decline (1923) -- Twelve-tone composition (1923) -- Hauer's theories (1923) -- Composition with twelve tones (1941) -- Composition with twelve tones (1948) -- Is it fair ? (1947) -- Theory and form (1924) -- Tonality and form (1925) - Opinion or insight ? (1926) -- For a treaties on composition (1931) -- Problems of harmony (1934) -- Connection of musical ideas (1948) -- Old and new counterpoint (1928) -- Linear counterpoint (1928) -- Linear counterpoint ; linear polyphony (1931) -- Fugue (1936) -- About ornaments, primitive rhythms, etc. and bird song (1922) -- Ornaments and construction (1923) -- Glosses on the theories of others (1929). For a treatise on performance (1923 or 1924) -- Today's manner of performing classical music (1948) -- The future of orchestral instruments (1924) -- Mechanical musical instruments (1926) -- Instrumentation (1931) -- The future of the opera (1927) -- Opera : aphorisms (1930) -- Performance indications (dynamics) (1923) -- Musical dynamics (1929) - About metronome markings (1926) -- Transposition (1923) -- Vibrato (1940) -- Phrasing (1931) -- The modern piano reduction (1923) -- On notation (1923) -- Pictorial notation (1923) -- Revolution - evolution, notation, (accidentals) (1931) -- A new twelve-tone notation (1924) -- Problems in teaching art (1911) -- Music ( from 'guine-lines for a ministry of art) (1919) -- On the question of modern composition teaching (1929) -- Teaching and modern trends in music (1938) -- Eartraining through composing (1939) -- The blessing of the dressing (1948) -- Against the specialist (1940) -- The task of the teacher (1950) -- Bach (1950) -- Brahms the progressive (1911) -- Franz Liszt's work and being (1912) -- Gustave Mahler : in memoriam (1948) -- Gustave Mahler (1912, 1948) -- 'Robert Schumann as critic' (1931) -- Alban Berg (1949, 1930) -- George Gershwin (1938) -- Krenek's sprung uber den schatten (1923) -- Igor Stravinsky : der restaurateur (1926) -- Stravinsky's Oedipus (1928) - Anton Webern : foreword to his six bagatelles (1924) -- Anton Webern : Klangfarbenmelodie (1951) -- Zemlinsky (1921) -- Parsifal and copyright (1912) -- Copyright (1949) -- Success - the end of bohemianism (1928) -- Does the world lack a peace-hymn ? (1928) -- Two speeches on the Jewish situation (1934 and 1935) -- Human rights (1947).
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Books (30-Day Checkout) Books (30-Day Checkout) Nash Library Music Pocket Library Books & Scores ML60.S374 1975 1 Available 33710001233159

Includes index.

On my fiftieth birthday (1924) -- Circular to my friends on my sixtieth birthday (1934) -- Honorary citizenship of Vienna (1949) -- How one becomes lonely (1937) -- Hear and brain in music (1946) -- A self-analysis (1948) -- My evolution (1949) -- The young and i (1923) -- My blind alley (1923) -- My public (1930) -- New music : my music (1930) -- Constructed music (1931) -- On revient toujours (1948) -- My technique and style (1950) -- New music, outmoded music, style and idea (1946) -- Criteria for the evaluation of music (1946) -- New music (1923) -- Turn of time (1948) -- The relationship to the text (1912) -- This is my fault (1949) -- The radio : reply to a questionnaire (1930) -- 'Space-sound', vibrato, radio, etc. (1931) -- Modern music on the radio (1933) -- Art and the moving picture (1940) -- Folkloristic symphonies (1947) -- Folk-music and art-music (1926) -- National music (1931) - Italian national music (1927) -- Why no great American music ? (1934) -- A legal question (1909) -- An artistic impression (1909) -- About music criticism (1909) -- Sleepwalker (1912) -- The music critic (1912) -- Musical historians (1915) -- Those who complain about the decline (1923) -- Twelve-tone composition (1923) -- Hauer's theories (1923) -- Composition with twelve tones (1941) -- Composition with twelve tones (1948) -- Is it fair ? (1947) -- Theory and form (1924) -- Tonality and form (1925) - Opinion or insight ? (1926) -- For a treaties on composition (1931) -- Problems of harmony (1934) -- Connection of musical ideas (1948) -- Old and new counterpoint (1928) -- Linear counterpoint (1928) -- Linear counterpoint ; linear polyphony (1931) -- Fugue (1936) -- About ornaments, primitive rhythms, etc. and bird song (1922) -- Ornaments and construction (1923) -- Glosses on the theories of others (1929). For a treatise on performance (1923 or 1924) -- Today's manner of performing classical music (1948) -- The future of orchestral instruments (1924) -- Mechanical musical instruments (1926) -- Instrumentation (1931) -- The future of the opera (1927) -- Opera : aphorisms (1930) -- Performance indications (dynamics) (1923) -- Musical dynamics (1929) - About metronome markings (1926) -- Transposition (1923) -- Vibrato (1940) -- Phrasing (1931) -- The modern piano reduction (1923) -- On notation (1923) -- Pictorial notation (1923) -- Revolution - evolution, notation, (accidentals) (1931) -- A new twelve-tone notation (1924) -- Problems in teaching art (1911) -- Music ( from 'guine-lines for a ministry of art) (1919) -- On the question of modern composition teaching (1929) -- Teaching and modern trends in music (1938) -- Eartraining through composing (1939) -- The blessing of the dressing (1948) -- Against the specialist (1940) -- The task of the teacher (1950) -- Bach (1950) -- Brahms the progressive (1911) -- Franz Liszt's work and being (1912) -- Gustave Mahler : in memoriam (1948) -- Gustave Mahler (1912, 1948) -- 'Robert Schumann as critic' (1931) -- Alban Berg (1949, 1930) -- George Gershwin (1938) -- Krenek's sprung uber den schatten (1923) -- Igor Stravinsky : der restaurateur (1926) -- Stravinsky's Oedipus (1928) - Anton Webern : foreword to his six bagatelles (1924) -- Anton Webern : Klangfarbenmelodie (1951) -- Zemlinsky (1921) -- Parsifal and copyright (1912) -- Copyright (1949) -- Success - the end of bohemianism (1928) -- Does the world lack a peace-hymn ? (1928) -- Two speeches on the Jewish situation (1934 and 1935) -- Human rights (1947).